Theatre Contacts between Russia and China in the First Half of the 20th Century
Research Article
Abstract
The article is devoted to the dynamics of the theatrical dialogue between Russia (the USSR) and China in the first half of the 20th century. This article examines the dynamics of the theatrical dialogue between Russia (USSR) and China in the first half of the 20th century. The period under study is characterized by the beginning of a dialogue and intensive interaction between the two countries in the field of theatrical arts. Russia was searching for a new reality in the performing arts, while Chinese theater, influenced by socioeconomic and political changes occurring in the country, was undergoing transformations and finding new paths to improvement. This article analyzes issues of cultural exchange between the two countries and the process of synthesizing their theatrical traditions. The material examined in this work reflects the relevance and necessity of a comprehensive approach to studying theatrical contacts between Russia and China in the first five decades of the 20th century, incorporating historical analysis, empirical research, and consideration of the influence of cultural, social, and political changes. This approach allows for a deeper understanding of the mechanisms of interaction and the development of effective strategies for further strengthening cultural ties between Russia and China.
Keywords:
Russia, China, cultural interaction, Russian and Soviet theatrical culture, Chinese theater, dialogue
References
Van Chzhunsin. 2023. Rezhissura Sun' Veishi kak primer prodolzheniya traditsii sovetskogo teatra v Kitae. URL: https://7universum.com/ru/social/archive/item/15400. (accessed 01.04.2025).
Veledinskii O.V. 2022. Sovremennyi etap vzaimodeistviya teatral'nykh shkol Rossii i Kitaya v kontekste dialoga kul'tur. - Filosofiya i kul'tura, № 4. (RUS.)
Lyan Tsuichzhen'. 1992. Nekotorye problemy kitaisko-russkikh teatral'nykh svyazei. Dramaturgiya Alekseya Arbuzova i Viktora Rozova na kitaiskoi stsene 1950-1980-kh godov: avtoref. dis.k.iskusstv.n. SPb. 186 s. (RUS.)
Li Fei, Monisova I.V. 2019. Dramaturgiya Maksima Gor'kogo kak predmet nauchnogo issledovaniya i tvorcheskogo osvoeniya v Kitae. - Vestnik RUDN. Seriya: Literaturovedenie. Zhurnalistika, № 3. S. 450. (RUS.)
Maksimov V.I. 2005. Vek Antonena Arto. Spb.: Liki Rossii, 381 s. (RUS.)
Serova S.A. 2005. Kitaiskii teatr — esteticheskii obraz mira. M.: Vostochnaya literatura, 168 s. (RUS.)
Serova S.A. 1999. Teatral'naya kul'tura Serebryanogo veka v Rossii i khudozhestvennye traditsii Vostoka (Kitai, Yaponiya, Indiya). M.: Izd-vo IV RAN, 416 s. (RUS.)
Serova S.A. 2006–2010. Traditsionnyi teatr. - Dukhovnaya kul'tura Kitaya: ents¬iklopediya: v 6 t. T. 6. M.: Iskusstvo. S. 370. (RUS.)
Tyan' Khan'. 1956. O sovremennoi kitaiskoi drame. - Narodnyi Kitai, № 3, 1 iyulya. (RUS.)
Fu Veifen. 2007. Vliyanie ucheniya Stanislavskogo na vospitanie akterov v Kitae v 20-40 gg. XX v. URL: https://cyberleninka.ru/article/n/vliyanie-ucheniya-stanislavskogo-na-vospitanie-akterov-v-kitae-v-20-40-gg-xx-v. (accessed 12.01.2025). (RUS.)
Eizenshtein S.M. Izbrannye sochineniya. M.: Izd-vo Iskusstvo, t. 5, 600 s. (RUS.)
Lu Xun. 2013. Lun Lu Xun dui Zhongguo huaju de gongxian [On Lu Xun's Contribution to Chinese Drama]. URL: http:// www.luxunhome.com. (accessed 06.11.2013). (In Chinese). [鲁迅。论鲁迅对中国话剧的贡献].
Lu Xun. 1938. Quan ji [The Complete Works]. Shanghai: v. 19. (In Chinese). [鲁迅。全集。 上海:复社 出版, 1938年 ].
Mao Dun. 1952. Guogeli zai Zhongguo [Gogol in China]. - Wenyi bao № 4. (In Chinese). [矛盾。果戈里在中国。-文艺报，1952年， （4 ） ].
Veledinskii O.V. 2022. Sovremennyi etap vzaimodeistviya teatral'nykh shkol Rossii i Kitaya v kontekste dialoga kul'tur. - Filosofiya i kul'tura, № 4. (RUS.)
Lyan Tsuichzhen'. 1992. Nekotorye problemy kitaisko-russkikh teatral'nykh svyazei. Dramaturgiya Alekseya Arbuzova i Viktora Rozova na kitaiskoi stsene 1950-1980-kh godov: avtoref. dis.k.iskusstv.n. SPb. 186 s. (RUS.)
Li Fei, Monisova I.V. 2019. Dramaturgiya Maksima Gor'kogo kak predmet nauchnogo issledovaniya i tvorcheskogo osvoeniya v Kitae. - Vestnik RUDN. Seriya: Literaturovedenie. Zhurnalistika, № 3. S. 450. (RUS.)
Maksimov V.I. 2005. Vek Antonena Arto. Spb.: Liki Rossii, 381 s. (RUS.)
Serova S.A. 2005. Kitaiskii teatr — esteticheskii obraz mira. M.: Vostochnaya literatura, 168 s. (RUS.)
Serova S.A. 1999. Teatral'naya kul'tura Serebryanogo veka v Rossii i khudozhestvennye traditsii Vostoka (Kitai, Yaponiya, Indiya). M.: Izd-vo IV RAN, 416 s. (RUS.)
Serova S.A. 2006–2010. Traditsionnyi teatr. - Dukhovnaya kul'tura Kitaya: ents¬iklopediya: v 6 t. T. 6. M.: Iskusstvo. S. 370. (RUS.)
Tyan' Khan'. 1956. O sovremennoi kitaiskoi drame. - Narodnyi Kitai, № 3, 1 iyulya. (RUS.)
Fu Veifen. 2007. Vliyanie ucheniya Stanislavskogo na vospitanie akterov v Kitae v 20-40 gg. XX v. URL: https://cyberleninka.ru/article/n/vliyanie-ucheniya-stanislavskogo-na-vospitanie-akterov-v-kitae-v-20-40-gg-xx-v. (accessed 12.01.2025). (RUS.)
Eizenshtein S.M. Izbrannye sochineniya. M.: Izd-vo Iskusstvo, t. 5, 600 s. (RUS.)
Lu Xun. 2013. Lun Lu Xun dui Zhongguo huaju de gongxian [On Lu Xun's Contribution to Chinese Drama]. URL: http:// www.luxunhome.com. (accessed 06.11.2013). (In Chinese). [鲁迅。论鲁迅对中国话剧的贡献].
Lu Xun. 1938. Quan ji [The Complete Works]. Shanghai: v. 19. (In Chinese). [鲁迅。全集。 上海:复社 出版, 1938年 ].
Mao Dun. 1952. Guogeli zai Zhongguo [Gogol in China]. - Wenyi bao № 4. (In Chinese). [矛盾。果戈里在中国。-文艺报，1952年， （4 ） ].
Article
Received: 31.12.2025
Issue
Section
THE MAIN TOPIC
Following the submission of the manuscript to the Publisher, the author binds oneself not to publish it somewhere else without permission of the Publisher.
